
If you follow me on Facebook, you probably saw my little note about Gina’s post last week. If not, let me give some background on this sewing swap and project we’re working on in tandem. Several weeks ago I emailed Gina about some vintage patterns, and we ended up sending each other a few both to keep and borrow. I love doing these sorts of swaps with my fellow sewing friends; it’s just as neat to put together a package for someone whose blog I read as it is to get one! Gina was kind enough to lend me the cheongsam-inspired blouse pattern I’ve admired for so long (still trying to decide on fabric for this one–but I need to make it!), and send me a couple others in exchange as well. Aren’t they lovely?

But this little swap doesn’t end with patterns! We both decided we were going to make up one of the patterns we sent each other as a little joint “sew-along” of sorts. It was a hard decision, but I ended up going with the McCalls #7248 because it reminds me a bit of my wedding dress (which is vintage and dates to around the same time as the pattern). I loved wearing that dress on my wedding day, and have often thought I’d like a daywear version. So here’s my chance! Only instead of white linen as my wedding gown was, I’m opting for a fun, tropical print linen I have in my stash. (Yes, I realize half my summer sewing incorporates tropical prints–I blame living in Florida for three years where they were so plentiful!) I have some gorgeous red buttons that Jen gave me, and I think it’s going to make a fun, summer frock!
I’m hoping to share a few bits and pieces as I go along! So stay tuned for those snippets as well as the big reveal in about a month! In the meantime though, I’ve been finishing up my 1940s playsuit project, and hope to share the results of that with you soon! It’s so nice to spend some quality time with my machine again… hehe!
Thank you again, Gina, for sending me these! If you haven’t already, be sure to drop by her delightful blog!
June 11, 2012 ·
20 lovely thoughts
posted in sewing
· tags: 2012 sewing, sewing, sewing-swap

A common question I find in my inbox is “how to I alter the size of a pattern?”. If you’ve read this blog for any length of time I’m sure you’ve seen me discuss the idea of pattern grading. But what is pattern grading, if you’ve never run across it before (or maybe you have and it’s still just a somewhat confusing concept)? Grading is a method of sizing a pattern up or down in size. This can be done manually using paper and rulers, or is now often done on computer programs (most often by the larger companies, since these systems can be pricy for the home sewist). Because you aren’t tied to the size on an envelope, this is an especially useful skill to have if you work with vintage patterns. But it’s a good tool to have in your sewer’s bag of tricks period, as it has many uses.
Throughout this series I’ll be going over both common and basic grading techniques, as well as breaking down how to grade some more complicated styles. We’ll be using the old fashioned, paper method, since that is most available to everyone. It is my hope that this series will be a clear overview of basic grading to get you started. I’d like to be upfront and say that this is not going to be hugely comprehensive (there are textbooks for that), nor do I know every grading technique. I have been grading using this method for the past 10 years, and have picked up some tips through study and developed my own ways of approaching it. But I feel that for the home sewist, this is perhaps the easiest method to grasp.

Please note this is not a sew along—it’s just a series. You do not have to follow along as I post these (though you are welcome to!), but can refer to them in the future when needed. These posts are rather spread out because they are time intensive to put together, and I want to give myself enough time to give them some polish and cover as comprehensively as I can (within reason) the topic.

- Paper – I use exam table paper, since it’s both transparent and cheap. This is the most important part of grading: having transparent paper. Because you’ll be tracing your original pattern, it makes life a lot easier. Another option is to use a non-fusible, lightweight interfacing (such as the gridded interfacing sold at JoAnns). Or you could use Swedish Tracing Paper. Though because of the cost I don’t recommend that for the actual grading, but perhaps tracing your final, master pattern on to. The bonus of using this is you can also pin it together to create a sort of fitting muslin (though it does not drape quite like fabric). In a pinch, large sheets of tracing paper can be used. From personal experience: don’t try tissue paper, it will only end in tears.
- Rulers – A variety of rulers and measuring tools is always handy for grading patterns. I generally rely on my gridded ruler (2” wide by 18” long with markings every 1/8”–commonly found in the quilting section of fabric stores) for the actual grading. A ruler that goes into even smaller increments (1/16”) would be handy too. I also keep a hip curve and yardstick on hand for tracing patterns.
- Pens, Pencils, Markers – Fairly self-explanatory. Sometimes I find having fine-tip markers in a few colors useful when differentiating between grading lines.
- Scotch Tape – A must for adding extra paper underneath when grading up, or overlapping when grading down. You’ll go through a lot of this, so be prepared! (I like clear tape only because you can see through it. You can use opaque tape, but it’s a personal preference.)
- Cutting Surface – I use my trusty cardboard cutting mat, but a self-healing mat will also work. I tend to pin the pieces I cut apart into my cutting surface in order to keep them from wandering/moving. So this isn’t a must, but makes it easier.
- Pins – Just regular, straight pins (as I referenced above, I pin the pieces into my cardboard mat).
- Your Measurements – Having a sense of what size category you fall into is very useful when grading for yourself. (Admittedly, I tend to “cheat” on this and just grade to the pattern size that I know I fit into, and then make my personal fitting alterations. Generally I’ll be assuming you are doing the same for the majority of the series, until I get into uneven grading in the July 6 post.)
I want to note here that while grading is a wonderful, highly useful skill, it does not take away for the need to further fit your pattern to your own body or making a muslin for some more complicated designs. As with anything that involves alteration, I always recommend double checking the fit before cutting into your garment fabric.
That sums up the supply list and next we’ll be moving on to actual grading! I plan on not only showing you through photographs, but a series of illustrations as well. Grading up a pattern size is perhaps the most common request I receive, so that will be first (with grading down following shortly behind—it’s a very similar technique though!). My hope is that by sharing this technique with you, it’ll open a whole new world of sewing skills and possibilities!
June 6, 2012 ·
49 lovely thoughts
posted in sewing
· tags: pattern grading, sewing workshop, tutorial
I have a favor to ask of you today, readers! I’ve been angling to update one of my most popular posts that I wrote several years ago (back in 2009!): The Vintage Pattern Primer. But, while I feel like I covered some of the basics in the original post, I’d like to know what other questions you may have about sewing with, using or finding vintage patterns? (Keep in mind that the pattern grading section will be supplemented as I post the grading series this month.) I’d love to be able to answer some of the more specific questions that I see from time to time in this post and freshen it up a bit! So if something stumps you about sewing with vintage patterns, please leave a comment in this post, and I’ll consider it for inclusion!
Thanks bunches! Now I’m off to scramble a bit to get things ready for my sister’s visit this weekend! Someone spent the past couple evenings sewing instead of cleaning… Oops!
June 1, 2012 ·
20 lovely thoughts
posted in sewing
·
Things have finally settled down a bit ’round here (as much as life can ever truly “settle down”… lol), but enough so that I feel fairly confident about planning out some sewing projects! There are a few gaps in my wardrobe right now, mostly because several garments have seen better days after years of wear (I’m hard on my clothes), so I’m trying to fill those while also sewing a few “fun” pieces. Here’s what I’m hoping to accomplish over the next few months:
Colette Patterns Lily Dress – This is one of the patterns I tested prior to the new line’s release, and it is by far my favorite! The curvy, 1950s bombshell silhouette is one of my favorites, and I love the details like the pockets and princess seams (which make for easy-fitting). While I love the pattern as it’s shown on the envelope, I have a couple ideas for a variation. I’m fairly certain I’d like to swap out the shoulder straps for a halter. The fabric I have earmarked for this pattern is a fun, novelty tropical print I picked up in Florida a couple summers ago. It’s got a tiny bit of stretch, but I think it won’t be a problem (especially since one of the sample dresses was made from a Lycra blend). I think I’d like to make the contrast view, using some black textured fabric I have for the band, halter and pocket flaps.
1940s Sun Top & Shorts – This is definitely a for fun project! I bought this pattern a couple summers ago, and as this year I’m really into the two-piece look (since it’s been stinking hot the past week and the couple 40s/50s midriff tops I’ve made have been in heavy rotation), it’s about time it gets made. The fabric I’m a little iffy about–it’s something I bought last summer on clearance on a whim, thinking it’d work for a 40s tropical look. It just looks a bit boring to me at this point, although since I have three yards of it, I probably should use it. It’s cotton, so at least it’ll be comfortable! I’m thinking it looks a bit like this Tara Starlet two-piece set, so hopefully it’ll work nicely and surprise me. I also *ahem* have a hat that is very similar to the one on the envelope… Instant outfit!
1950s Cigarette Pants – I already started this, but am having some fitting issues. If there is one garment that tends to get to me the quickest with fitting, it’s pants. There is a reason I’ve stuck with 30s and 40s wide leg styles–but I am determined to conquer the more fitted silhouette! It might just take me a bit. lol. I’m using this pattern that Lauren sent me in our swap. It fits relatively well straight out of the envelope, admittedly–but it does need to be tweaked to be perfectly wearable. Time to pull out my copy of Pants for Real People! Not sure what color, but I’m thinking red!!! (Or maybe I’ll be practical and do black…)
Sewaholic Renfrew Top – I have had this pattern sitting in my stash since it was released months ago, which is sad–it needs to be made! Everyone who has made it says it’s quite easy and a great knit top pattern to work with. I ordered a few yards of a cream colored jersey (it has more stretch than the pattern calls for, but I’ve seen others make successful tops with this pattern and jersey knits), which is a bit more tissue-weight than I thought. Does anyone who has worked with knits know if I can do a “double layer” top? (Or is that just a really stupid idea?) I also have a more stable knit polka dot print that I’m planning to make a version inspired by this top. I’m hoping once I’ve made this pattern a couple times, it can be my go-to for knit tops!
I’d also like to make another pair of the Wearing History Smooth Sailing trousers (which I’ve made in the past and tweaked for my 40s jeans). I have some green fabric I bought, but it’s a little more bright than I anticipated (darn computer screen), and I’m going to try over dying it to tone it down a bit. But I really, really want green trousers for this summer. hehe!
Finally, I have another plan up my sleeve, but am holding off showing you until next week. Another blogger and I did a pattern swap and we’re each making one of the patterns we sent each other. Let’s just say the one I’m hoping to make is evocative of my wedding dress–just more suitable to day wear!
There are a few more things I’d like to sew, but this is what I’ve definitely worked out for now. These will keep me busy through July, I’m sure! What are your sewing aspirations for this summer?
May 30, 2012 ·
35 lovely thoughts
posted in sewing
· tags: 2012 sewing, sewing
Right after I finished the gown for the Titanic dinner (thank you bunches for all your lovely comments!!!), I had to turn around and start working on my sister in law’s junior prom dress. It was the sort of project I originally thought I had a bit more time for, but found out a month ago that the prom was the end of April–not in May. That of course meant I had to work on it a bit more furiously than I anticipated! I got a few snapshots before I dropped it off at FedEx to ship it to her, so I thought I’d share those!
Firstly, apologies that the dress is a bit wrinkly; I didn’t do a final press since it was about to get shoved in a box to be shipped! She picked out a gorgeous royal blue, heavy weight satin for the gown and Simplicity #2253 (view B), which I think was quite a sophisticated choice for a 17-year-old. In fact, I quite like the dress and would be tempted to make it for myself! We did an initial fitting at the end of March, and I’ve been having to have a lot of faith in my fitting skills (and more than a few prayers!) that this dress would fit her like a glove in the end (which I won’t find out about until later today). I’ve never done a long-distance project like this, although I’ve sewn for others before–I’ve just had them closer by for in-person fittings! Fingers crossed, because I’m a bit like a cat on a hot tin roof right now.
The pattern was deceptively easy. It looks fiddly from the envelope–all that piecing on the bodice! But it’s actually quite easy once I got started. What did take the longest was cutting all the pieces out any applying interfacing. I think I spent as much time doing that as I did actively sewing! But no matter, because I think it turned out fantastic for a one-week project! Oh, and that pleated trim on the shoulder is EVIL. I just chucked the pattern markings and directions and I did what I thought made more sense at the end. But aside from that, I was rather surprised how well done the Simplicity instructions were. I think the company must be taking cues from the sewing community online, because I honestly felt like I was reading instructions from Sewaholic or Colette Patterns–not one of the Big Four.
Just for a fun touch and to make it “official”, I sewed in one of the tags I had made up a good 4 years ago. (Sorry, the Etsy seller no longer has a shop that I got these from, so I can’t point anyone in the right direction!)
Now that I am finished with both the Deadline Projects for this month, I’m starting to itch to sew something fun that I can actually wear in day-to-day life. I’ve been living in my blue Wearing History Smooth Sailing trousers, and have been thinking I really need to make at least one more. This green twill at Gorgeous Fabrics seems like a possible candidate (or at least offering color inspiration). I’ve been craving more green in my wardrobe of late!
Now to just dig the spare room out after 2 1/2 weeks of marathon sewing!
Pattern: Simplicity #2253 (view B).
Fabric: Synthetic duchess satin, non-static lining, woven (fusible) interfacing.
Alterations: Only minor fitting alterations; she was pretty much a perfect pattern size 10! The only major thing I did was shorten the skirt.
Techniques: Not a whole lot that I felt varied from normal sewing–most of the stitching was done on the machine.
Make Again? Probably not! This was just a one-time project for my sister in law.
April 18, 2012 ·
61 lovely thoughts
posted in sewing
· tags: 2012 sewing, sewing, sewing for others, simplicity, simplicity 2253